Publications
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Articles in Refereed Journals Penny, J. (2014). Reflections on Practice-led Research Methods and their Application in Music Performance Research. Malaysian Music Journal, 3(2). pp.84-93. Tanjong Malim: Penerbit Universiti Pendidikan Sultan Idris. Online at http://ejournal.upsi.edu.my/index.php/MJM/article/view/736 Blackburn, A. and Penny, J. (2014). Imaginary Spaces: New Malaysian performance contexts for intercultural exploration. Organised Sound, Vol 19(2). Cambridge: Cambridge University Press. Online at http://journals.cambridge.org/action/displayAbstract?fromPage=online&aid=9294408&f ulltext&fileId=S1355771814000107 Penny, J. (2011). Flutes, Voices and Maskenfreiheit: Traversing performative layers. Organised Sound, Vol 16(2). Cambridge: Cambridge University Press. Online at http://journals.cambridge.org/action/displayAbstract?fromPage=online&aid=8314673 Penny, J. (2009) Amplified Breath – (Dis)Embodied Habitat: Exploring Sonic Interfaces of Performance, Electronics, Space and Flautist Identity. Ystad, S., Kronland-Martinet, R., Jensen, K. (Eds.). Berlin: Verlag-Springer. Online at http://link.springer.com/chapter/10.1007%2F978-3-642-02518-1_17#page-1 Penny, J. (2010). Techne: Revealing Sound, Space and Self in Music for Flute and Electronics. In Ninad, Vol 24, Journal of ITC Sangeet Research Academy, Kolkutta, India, pp.28-44. Online at http://www.itcsra.org/sra_story/sra_story_research/sra_story_resrch_links/sra_story_resrc h_pubs/pdf/ninad_volume_24.pdf Chapters in Books Penny, J. (2014). Unraveling Intercultural Knowledge Through Performative Contexts: A Flautist’s Perspective. In Chan and Penny (Eds) Sustainability in Music and the Performing Arts: Heritage, Performance, Education. Penerbit Universiti Pendidikan Sutan Idris, pp.37-56. Penny, J. (2016) The mediated space: Voices of interculturalism in music for flute. International Handbook of Intercultural Arts Research. Burnard, MacKinley, Powell (Eds). Abingdon: Routledge https://www.routledge.com/products/9781138909939 Penny, J. (2021). Foucouldian heterotopias in electroacoustic music: A flautist’s perspective on intercultural performance s/p/laces in The Routledge Companion to Autoethnography and Self-reflexivity in Music Studies. Eds Wiley, C. and Gouzouasis, P. London and New York, Routledge. (forthcoming publication) Conference Proceedings Penny, J. and Blackburn, A. Cultures, Chance, Electroacoustic Spaces: Exploring performance aspects of Cage's _______, _______ _______ CIRCUS ON _______. Proceedings of the Electroacoustic Music Studies Network Conference, Florence (Italy), June 20-23, 2018. Online at http://www.ems-network.org/IMG/pdf_PENNY_BLACKBURN_EMS18ç.pdf Real or virtual? Revealing cultural identities through heterotopian constructs in musique-mixte. Proceedings of Australasian Computer Music Conference, University of Adelaide, September 2017. Online at https://acmc2017.files.wordpress.com/2017/10/acmc2017proceedings.pdf (Re)notating cultural identities through musique-mixte: A reflection of heterotopian constructs in performance. Proceedings of the Electroacoustic Music Studies Network Conference, Nagoya, September 2017. Online at http://www.ems-network.org/IMG/pdf_EMS17_Penny.pdf Timbral Notation From Spectrograms : Notating The Un-Notatable? Conference Proceedings, TENOR 2015 – First International Conference on Technologies for Music Notation and Representation 28-30 May 2015, Paris, France. Online at http://tenor2015.tenor-conference.org/papers/32-Blackburn-TimbralNotation.pdf Electroacoustic Music as Intercultural Exploration: Synergies of Breath in Extended Western Flute and Malaysian Nose Flute Playing. Performance Studies Network International Conference. University of Cambridge, UK (2013) Online at http://www.cmpcp.ac.uk/PSN2/PSN2013_Penny.pdf Concurrent Realities: Performative Readings for Flutes with Digital Technologies. The Embodiment of Authority Conference, Sibelius Academy, Helsinki, Finland (2010) Online at http://www.siba.fi/web/embodimentofauthority/proceedings/penny Inside-Out Flutes: The Emergence of the Transformative Meta-Flautist. CreateWorld09 Conference, Brisbane, Australia (2009) Amplified Breath – (Dis)Embodied Habitat: Exploring Sonic Interfaces of Performance, Electronics, Space and Flautist Identity. Australian Computer Music Conference, University of Sydney, Australia (2008) Other Publications Re-activating performative spaces: The meta-flautist's zones of intensity. Resonate Magazine, Australian Music Centre. Online at http://www.australianmusiccentre.com.au/article/re-activating-performative-spaces-the- meta-flautist-s-zones-of-intensity Penny, J. & Blackburn, A. (2014). The Imaginary Space: Developing Models for an Emergent Malay/Western Electroacoustic Music. Discover: UPSI Research and Innovation Bulletin, December 2014. pp. 19-20. RMIC, UPSI. Penny, J. (2013) Development and Creation of New Music and Performances. Discover: UPSI Research and Innovation Bulletin. RMIC, UPSI. Malaysian Music Journal, Chief Editor (2012-2015) Malaysian Music Journal ISSN 2232-1020
Book Co-editor Sustainability in Music and the Performing Arts: Heritage, Performance, Education. (November 2014) Penerbit, UPSI. Doctor of Musical Arts (2009, Queensland Conservatorium Griffith University) Thesis: THE EXTENDED FLAUTIST:Techniques, technologies and performer perceptions in music for flute and electronics. https://research-repository.griffith.edu.au/bitstream/handle/10072/366551/Penny_2009_02Thesis.pdf?sequence=1&isAllowed=y |
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