Publications
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Articles in Refereed Journals Penny, Jean. (2023) New sounds-ancient resonances: Re/presenting Lal Lal Falls in music for flute and electronics. ECHO - a journal of music, thought and technology, Issue 4 New Mimesis (ed. Jonathan Impett. Online at https://echo.orpheusinstituut.be/article/new-sounds-ancient-resonances-re-presenting-lal-lal-falls-in-music-for-flute-and-electronics Penny, Jean. (2022). Performing the Ecstasis: An interpretation of Katharine Norman’s Making Place for instrument/s and electronics in Journal For Artistic Research, Issue 27. Online at https://www.researchcatalogue.net/view/1260967/1753737 Penny, J. (2021). Postcards from Lockdown: Translating Visual Art to Music for Flute and Electronics. Music and Practice online journal ISSN 1893-9562, Norwegian Academy of Music, Oslo. Online at https://www.musicandpractice.org/postcards-from-lockdown-translating-visual-art-to-music-for-flute-and-electronics-2/ Penny, J. (2014). Reflections on Practice-led Research Methods and their Application in Music Performance Research. Malaysian Music Journal, 3(2). pp.84-93. Tanjong Malim: Penerbit Universiti Pendidikan Sultan Idris. Online at http://ejournal.upsi.edu.my/index.php/MJM/article/view/736 Blackburn, A. and Penny, J. (2014). Imaginary Spaces: New Malaysian performance contexts for intercultural exploration. Organised Sound, Vol 19(2). Cambridge: Cambridge University Press. Online at https://www.cambridge.org/core/journals/organised-sound/article/abs/imaginary-spaces-new-malaysian-performance-contexts-for-intercultural-exploration/00C622B4DA8C15E26CFE0381984C09A9 Penny, J. (2011). Flutes, Voices and Maskenfreiheit: Traversing performative layers. Organised Sound, Vol 16(2). Cambridge: Cambridge University Press. Online at http://journals.cambridge.org/action/displayAbstract?fromPage=online&aid=8314673 Penny, J. (2009) Amplified Breath – (Dis)Embodied Habitat: Exploring Sonic Interfaces of Performance, Electronics, Space and Flautist Identity. Ystad, S., Kronland-Martinet, R., Jensen, K. (Eds.). Berlin: Verlag-Springer. Online at http://link.springer.com/chapter/10.1007%2F978-3-642-02518-1_17#page-1 Penny, J. (2010). Techne: Revealing Sound, Space and Self in Music for Flute and Electronics. In Ninad, Vol 24, Journal of ITC Sangeet Research Academy, Kolkutta, India, pp.28-44. Online at http://www.itcsra.org/sra_story/sra_story_research/sra_story_resrch_links/sra_story_resrc h_pubs/pdf/ninad_volume_24.pdf Chapters in Books Penny, J. (2014). Unraveling Intercultural Knowledge Through Performative Contexts: A Flautist’s Perspective. In Chan and Penny (Eds) Sustainability in Music and the Performing Arts: Heritage, Performance, Education. Penerbit Universiti Pendidikan Sutan Idris, pp.37-56. Penny, J. (2016) The mediated space: Voices of interculturalism in music for flute. International Handbook of Intercultural Arts Research. Burnard, MacKinley, Powell (Eds). Abingdon: Routledge https://www.routledge.com/products/9781138909939 Penny, J. (2024). Performing intercultural music for flute and electronics: Reflections on heterotopian (s)p(l)ace in The Routledge Companion to Music, Autoethnography and Reflexivity. Eds Wiley, C. and Gouzouasis, P. London and New York, Routledge. (forthcoming publication) Conference Proceedings Penny, J. and Blackburn, A. Cultures, Chance, Electroacoustic Spaces: Exploring performance aspects of Cage's _______, _______ _______ CIRCUS ON _______. Proceedings of the Electroacoustic Music Studies Network Conference, Florence (Italy), June 20-23, 2018. Online at http://www.ems-network.org/IMG/pdf_PENNY_BLACKBURN_EMS18ç.pdf Real or virtual? Revealing cultural identities through heterotopian constructs in musique-mixte. Proceedings of Australasian Computer Music Conference, University of Adelaide, September 2017. Online at https://acmc2017.files.wordpress.com/2017/10/acmc2017proceedings.pdf (Re)notating cultural identities through musique-mixte: A reflection of heterotopian constructs in performance. Proceedings of the Electroacoustic Music Studies Network Conference, Nagoya, September 2017. Online at http://www.ems-network.org/IMG/pdf_EMS17_Penny.pdf Timbral Notation From Spectrograms : Notating The Un-Notatable? Conference Proceedings, TENOR 2015 – First International Conference on Technologies for Music Notation and Representation 28-30 May 2015, Paris, France. Online at http://tenor2015.tenor-conference.org/papers/32-Blackburn-TimbralNotation.pdf Electroacoustic Music as Intercultural Exploration: Synergies of Breath in Extended Western Flute and Malaysian Nose Flute Playing. Performance Studies Network International Conference. University of Cambridge, UK (2013) Online at http://www.cmpcp.ac.uk/PSN2/PSN2013_Penny.pdf Concurrent Realities: Performative Readings for Flutes with Digital Technologies. The Embodiment of Authority Conference, Sibelius Academy, Helsinki, Finland (2010) Online at http://www.siba.fi/web/embodimentofauthority/proceedings/penny Inside-Out Flutes: The Emergence of the Transformative Meta-Flautist. CreateWorld09 Conference, Brisbane, Australia (2009) Amplified Breath – (Dis)Embodied Habitat: Exploring Sonic Interfaces of Performance, Electronics, Space and Flautist Identity. Australian Computer Music Conference, University of Sydney, Australia (2008) Other Publications Coastline Project: Tracing a flutist’s unfolding practices and transitions 20 June 2023. Online at https://thebabelflute.com/coastline-project/ Re-activating performative spaces: The meta-flautist's zones of intensity. Resonate Magazine, Australian Music Centre. Online at http://www.australianmusiccentre.com.au/article/re-activating-performative-spaces-the- meta-flautist-s-zones-of-intensity Penny, J. & Blackburn, A. (2014). The Imaginary Space: Developing Models for an Emergent Malay/Western Electroacoustic Music. Discover: UPSI Research and Innovation Bulletin, December 2014. pp. 19-20. RMIC, UPSI. Penny, J. (2013) Development and Creation of New Music and Performances. Discover: UPSI Research and Innovation Bulletin. RMIC, UPSI. Malaysian Music Journal, Chief Editor (2012-2015) Malaysian Music Journal ISSN 2232-1020
Book Co-editor Sustainability in Music and the Performing Arts: Heritage, Performance, Education. (November 2014) Penerbit, UPSI. Doctor of Musical Arts (2009, Queensland Conservatorium Griffith University) Thesis: THE EXTENDED FLAUTIST:Techniques, technologies and performer perceptions in music for flute and electronics. https://research-repository.griffith.edu.au/bitstream/handle/10072/366551/Penny_2009_02Thesis.pdf?sequence=1&isAllowed=y |
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